Into the Wild: A Reflection on Cosplay in Public Discourse: Notes on an Unfolding Semantic Shift (Part Two)

Into the Wild: A Reflection on Cosplay in Public Discourse: Notes on an Unfolding Semantic Shift (Part Two)

Cosplay is big news today. And I’m not just talking about within the realms of fandom and fan studies; cosplay has hit the mainstream hard over the last few decades. A socio-cultural evolution seeing its meaning change in ways unexpected and not yet quite understood. Once describing a subcultural, niche fan practice, cosplay is fast becoming a metonym for all kinds of dressing up practices. Forget the subtleties of masking and costuming, masquerade, mimicry, fancy dress, dressing up, or just plain old dressing, it’s all cosplay now.[1] As a natural aspect of evolving phenomena, semantic shifts are hardly surprising— that’s not the story here. Like seasoned seamsters, fans and scholars are always adjusting the meaning of cosplay, altering its pattern and form, letting it out a bit here, a timely tuck or hem there, and always embellishing our understanding of this art of making otherwise. Less important then is the idea that cosplay’s meaning is stretchable, it’s the origin, nature, and agents of this particular public amplification that I want to observe and consider, and its potential impact upon what’s rather magically called the “cosphere.”

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Into the Wild: A Reflection on Cosplay in Public Discourse: Notes on an Unfolding Semantic Shift (Part One)

Into the Wild: A Reflection on Cosplay in Public Discourse: Notes on an Unfolding Semantic Shift (Part One)

Cosplay is big news today. And I’m not just talking about within the realms of fandom and fan studies; cosplay has hit the mainstream hard over the last few decades. A socio-cultural evolution seeing its meaning change in ways unexpected and not yet quite understood. Once describing a subcultural, niche fan practice, cosplay is fast becoming a metonym for all kinds of dressing up practices. Forget the subtleties of masking and costuming, masquerade, mimicry, fancy dress, dressing up, or just plain old dressing, it’s all cosplay now.[1] As a natural aspect of evolving phenomena, semantic shifts are hardly surprising— that’s not the story here. Like seasoned seamsters, fans and scholars are always adjusting the meaning of cosplay, altering its pattern and form, letting it out a bit here, a timely tuck or hem there, and always embellishing our understanding of this art of making otherwise. Less important then is the idea that cosplay’s meaning is stretchable, it’s the origin, nature, and agents of this particular public amplification that I want to observe and consider, and its potential impact upon what’s rather magically called the “cosphere.”

Read More