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October 13, 2008
Why Universities Shouldn't Create "Something like YouTube" (Part One)I was recently interviewed by a Canadian journalist, Alexandre Cayla-Irigoyen I read your book (Convergence Culture) and also a couple of other of your publications. You argue that, right now, the school system is failing its children because they are learning more experimenting outside class than in it. Do you think that Internet and the tools that are being developed will help change this situation ? The internet is improving opportunities for learning for at least some portion of our youth, but most of what is most valuable about it is locked outside of schools. For example, many American schools block all access to YouTube, to social network sites, even to blogging tools, all of which are key sites for learning. Schools are discouraging young people from using Wikipedia rather than engaging with it as an opportunity to learn about the research process and to engage with critical discussions around issues of credibility. The schools are often frightened of anything that looks like a game to the point that they lock out many powerful tools which simulate real world processes, encourage a 'what if' engagement with history, or otherwise foster critical understanding of the world. Can such changes be implemented in university classes? Flexibility seems to be the key aspect of this new approach whereas the university classroom is typically governed by a rigid student-teacher relation (at the undergrad level at least). Whatever their limitations in terms of bureaucratic structure, most university instructors have much greater flexibility to respond to these challenges than the average public high school. Unfortunately, by the time we get to college, these gaps in experiences, skills, and resources will have already had a near lethal impact on those kids who are being left behind. It isn't just that we will need to have a head start program to get them the technical skills they need to deploy these technologies. It is going to be much harder to give them the sense of empowerment and entitlement needed to allow them to feel fully part of the online world. They are going to be much less likely to play and experiment with the new technologies because they will be afraid of failing and looking dumb in front of classmates who will have been using these tools for more than a decade. How can an institution recreate the type of communities you spoke about in your book ? The kinds of communities I discussed in the book are what Cory Doctorow calls "ad-hoc-cracies." They emerge quickly in response to shared interests and concerns. They last as long as people need the community to work through a common problems or query. They vanish when they are no longer useful to their members. They are radically interdisciplinary or I'd prefer, "undisciplined," in that they draw together people with many different expertises and they deploy social networks which observe few of the barriers to interaction we experience in the physical world to bring people together who should be working together. They develop informal yet very powerful systems for vetting information and for carrying out deliberation. MIT has the OpenCourseWare program that seems to follow a more open logic. Does MIT have other programs that would help it achieve (or create) a more open, flexible and creative environment ? The Open Courseware Initiative has very worthy goals -- indeed, the vision behind it is deeply inspiring to me. Universities like MIT should be opening up their resources to the planet. We should being supporting independent learners and providing materials to support education in parts of the world which do not have what major research institutions have to offer. The scale on which Open Courseware is operating now is astonishing and a real tribute to the people who developed it. At the present time, MIT is thinking about its next step in its Internet strategy (after the OpenCourseWare project), what are the options ? What should a university try to implement ? Many universities are trying to figure out how they can build "something like YouTube" to support their educational activities. Most of them end up building things that are very little like YouTube in that they tend to lock down the content and make it hard to move into other spaces and mobilize in other conversations. In a sense, these university based sites are about disciplining the flow of knowledge rather than facilitating it. As I think about what makes YouTube YouTube, I see a number of factors: 5 CommentsHenry Jenkins is the Provost's Professor of Communications, Journalism, and Cinematic Art at the University of Southern California. Until recently, he served as the co-founder of the Comparative Media Studies Program at the Massachusetts Institute of Technology. More about Henry Jenkins is available here. |
I'm unclear to this reader how MIT's use of a Creative Commons license (http://ocw.mit.edu/OcwWeb/web/terms/terms/index.htm) which specifically provides rights much greater than standard fair use, promoting sharing and remixing, is a "timid and conservative legal approach" that prevents you from "meaningfully reproducing" your work online...
Granted, the non-commercial clause provides some limitations, but not for most educators including yourself.
Is your argument here that they should've left rights to traditional copyright, providing even less access, as some kind of show of support for the (I think rather anemic)existing Fair Use provisions?
Should be "It's unclear" obviously!
I remain unsurprised by the lockdown of content and the tentativeness of the academy in the face of copyright concerns. It's pretty much the same in book publishing—my university press book clients have me remove all song lyrics, always, without exception, even if probably within fair use, because of the potential hassle with the copyright holders and the extreme expense of getting busted.
I very much appreciated your point about children and young adults being blocked from sites like YouTube and am forwarding the link to education prof friends of mine, in hopes that it will spark discussion.
Regarding the comment above: I assume it's not your ideas that MIT is worried about, but your reproduction of others' material that is at issue—so you can't post a illustrative film clip, for example.
You'll presumably be glad to hear that the OCW Consortium is forming a Fair Use working group (with MIT OCW staff participation) in order to develop a community practice document on fair use in Open Educational Resources within the US legal context. Our hope is to use that document as a starting point from which to consider fair use is other jurisdiction as well as in the cross-jurisdictional context. Stay tuned!
I'm still unclear about Jenkins' comments. Yes, academia is traditionally locked down and often overreacts to uses that are in the slightest bit gray (quoting entire song lyrics, for example), and any further clarification of Fair Use of open resources in general is good-- even if the heart of the problem remains unchanged.
But back to Jenkins' post: MIT's OCW materials are much LESS locked down than most shared ed materials outside of the OCW and other initiatives because of the CC license they use. They could be more open with an Open Ed license, for instance, or a simple CC-BY license, but the current situation of those materials specifically just doesn't square with Jenkins' comment.
What am I missing here?